Beginnings give the reader a specific field of vision.
Beginnings can start with two or more forces in opposition with each other.
One is a situational narrative where you have two inner forces in opposition of each other like this… “That’s the last croissant, I want it.”
“Oh, sorry, I already looked at it, so it’s mine.”
Beginnings can start shrouded in mystery where the entire poem centers around what is being solved.
Beginnings can start in the middle. This is usually called in medias res. If you start a poem already in the middle of a situation, the reader automatically starts trying to come up with scenarios and explanations.
Beginnings can start with an unusual voice that makes the reader ask why the speaker is speaking this way? This could have something to do with their diction, syntax, or subject matter.
Beginnings can start with a situation that is out of the ordinary. For example, why would there be keys on a table that belonged to a father that is already deceased?